Cognitive mapping the topic of celebrity endorsement
Joseph
Kim-keung Ho
Independent Trainer
Hong Kong, China
Abstract: The topic of celebrity
endorsement in the subject of Marketing is complex. By making use of the
cognitive mapping technique to conduct a brief literature review on celebrity
endorsement topic, the writer renders a systemic image on the topic of celebrity
endorsement. The result of the study, in the form of a cognitive map on celebrity
endorsement, should be useful to those who are interested in the topics of
cognitive mapping, literature review and celebrity endorsement.
Key words: Celebrity
endorsement, cognitive mapping, literature review
Introduction
As a
topic in Marketing, celebrity endorsement is complex. It is thus useful to
employ some learning tool to conduct its study, notably for literature review
purpose. For a teacher in research methods, systems thinking and management,
the writer is specifically interested in finding out how the cognitive mapping
technique can be employed to go through a literature review on celebrity endorsement. This literature review
exercise is taken up and reported in this article.
On the cognitive mapping exercise for
literature review
Literature
review is an important intellectual learning exercise, and not just for doing
final year dissertation projects for tertiary education students. On these two
topics of intellectual learning and literature review, the writer has compiled
some e-learning resources. They are the Managerial
intellectual learning Facebook page and the Literature on literature review Facebook page. Conducting
literature review with the cognitive mapping technique is not novel in the
cognitive mapping literature, see Eden and Simpson (1989), Eden, Jones and Sims
(1983), Open University (n.d) and the Literature
on cognitive mapping Facebook page. In this article, the specific steps
involved in the cognitive mapping exercise are as follows:
Step 1:
gather some main points from a number of academic journal articles on Celebrity
endorsement. This result in the production of a table (Table 1) with the main
points and associated references.
Step 2: consolidate the main points from Table 1 to come up with
a table listing the cognitive map variables (re: Table 2).
Step 3: link
up the cognitive map variables in a
plausible way to produce a cognitive map (re: Figure 1) on the topic under
review.
The next
section applies these three steps to produce a cognitive map on celebrity
endorsement.
Descriptions of cognitive map variables on
celebrity endorsement topic
From the
reading of some academic articles on celebrity endorsement, a number of main
points (e.g., viewpoints, concepts and empirical findings) were gathered by
the writer. They are shown in Table 1
with explicit referencing on the points.
Table 1: Main
points from celebrity endorsement literature and referencing
Main points from the celebrity
endorsement literature
|
Referencing
|
Point 1: "Today, consumers are constantly
inundated with images of celebrities; not only are celebrities endorsing a
multitude of consumer products but they are also found gracing the covers of
gossip and fashion magazines. These mass media images can aide in the
familiarisation with a celebrity. Celebrities have a unique position in the
advertising landscape due to the irrespective careers, as well as from the
constant media attention many receive".
|
McComick, K. 2016. "Celebrity endorsements :
Influence of a product-endorser match on Millennials attitudes and purchase
intentions" Journal of Retailing
and Consumer Services 32, Elsevier: 39-45.
|
Point
2: "A celebrity endorser is someone who enjoys public recognition and
who uses that recognition on behalf of a consumer good by appearing with it
in an advertisement (McCracken,1989). When celebrities are hired to endorse
brands, they are able to draw more attention to the advertisements, break
through the clutter of competing brands and can exert greater influence on consumers’ attitudes and purchase
intentions".
|
McComick, K. 2016. "Celebrity endorsements :
Influence of a product-endorser match on Millennials attitudes and purchase
intentions" Journal of Retailing
and Consumer Services 32, Elsevier: 39-45.
|
Point
3: "Celebrities enjoy nationwide or
worldwide popularity, and this allows them to wield power in a variety of
spheres. Celebrities serve as role models, implicitly offering personal
fulfillment to those who imitate them (Fowles, 1992; Gamson, 1992). Their names
and images are used to market a variety of products and services, and their
influence extends to business, politics, culture, and social movements".
|
Huh,
H.R., D.S. Yi and H.Y. Zhu. 2014. "Facial width-to-height ratio and
celebrity endorsements" Personality
and Individual Differences 58, Elsevier: 43-47.
|
Point 4: "Celebrities
usually experience fame for a relatively short period of time, and their
success can be measured in terms of financial compensation, primarily from
appearance fees and endorsements. A wide range of genetic and developmental
variables probably influences the career choice and career success of
celebrities".
|
Huh,
H.R., D.S. Yi and H.Y. Zhu. 2014. "Facial width-to-height ratio and
celebrity endorsements" Personality
and Individual Differences 58, Elsevier: 43-47.
|
Point 5: "The body shape of endorsers
is an important factor determining attitudes toward the brand in question
(D’Alessandro & Chitty, 2011). Thus, the major criteria for selecting a
celebrity endorser are credibility, familiarity, likeability, and gender
(Knott & St. James, 2004). The effectiveness of celebrity endorsers is
moderated by attractiveness, credibility, and several other factors (Erdogan,
1999), and attractiveness and credibility are associated with facial WHR [width-to-height
ratio ]".
|
Huh,
H.R., D.S. Yi and H.Y. Zhu. 2014. "Facial width-to-height ratio and
celebrity endorsements" Personality
and Individual Differences 58, Elsevier: 43-47.
|
Point 6: "Celebrities' profiles are at the top of the list of the most-followed pages on
Instagram, frequently used to deliver marketing communication messages to
their followers. Recently, one celebrity's profile with the highest number of followers, reached 92 million
(Instagram, 2016). Consumers perceive individuals with a large number of
subscribers as more attractive and trustworthy, this is in line with Source
Credibility Theory and relates to electronic word of mouth (eWOM) (Jin & Phua, 2014). Source credibility refers to the consumer perception of
the information source based on attractiveness, trustworthiness and knowledge
in the area of the endorsed product (Ohanian, 1990). EWOM refers to any
product information communicated by potential consumers via the
Internet".
|
Djafarova, E. and C. Rushworth. 2017.
"Exploring the credibility of online celebrities' Instagram profiles in influencing the purchase
decisions of young female users" Computers
in Human Behaviour 68, Elsevier: 1-7.
|
Point 7: "The impact of celebrity
enforcements as marketing communication tools has been extensively researched
previously, however there is a lack of academic research on the credibility
of different types of celebrities within social networks (Jin & Phua, 2014; Spry et al., 2011). This is particularly the case for
Instagram which is experiencing rapid growth and could, potentially, be of great
importance to the marketer".
|
Djafarova, E. and C. Rushworth. 2017.
"Exploring the credibility of online celebrities' Instagram profiles in influencing the purchase
decisions of young female users" Computers
in Human Behaviour 68, Elsevier: 1-7.
|
Point 8: "Celebrities appeal to a
common reference group. ‘Reference group’ is defined as a person/group of people who serve
as a reference to an individual in forming values and attitudes, and in so doing
provide consumers with a reference in their purchasing decisions (Schiffman,
Hansen, & Kanuk, 2012). This can also include celebrities
or Instagram profiles belonging to non-traditional
celebrities who could be considered famous online or ‘Instafamous’ (Scott, 2015). These individuals are known
to the public and their identification is based upon elements
such as admiration, association, aspiration or recognition".
|
Djafarova, E. and C. Rushworth. 2017.
"Exploring the credibility of online celebrities' Instagram profiles in influencing the purchase
decisions of young female users" Computers
in Human Behaviour 68, Elsevier: 1-7.
|
Point 9: ".... when negotiating endorsement contracts, firms risk being rejected by their preferred celebrity. The cost of such
rejection is critical, as firms' marketing strategies may crucially
depend on successfully hiring a specific celebrity, and being unable
to do so may imply substantial additional time and monetary investment in
redefining such strategies and initiating efforts
to hire other celebrities (Miciak & Shanklin, 1994). Thus, industry
experts suggest firms to offer celebrities gifts or company
equity (Aarts, 2013), and advise celebrities to become more popular and to
amass a large social media following to be attractive for potential
endorsers".
|
Zamudio, C. 2016. "Matching with the
stars: How brand personality determines celebrity endorsement contract
formation" International Journal
of Research in Marketing 33, Elsevier: 409-427.
|
Point 10: "A celebrity endorsement
contract is a partnership between a human brand (Thomson, 2006) and a
corporate brand to communicate the merits of the corporate brand or its
products and foster positive consumer attitudes (Kamins, 1990). Similarly, a
brand alliance (Rao, Lu, & Ruekert, 1999) also aims to communicate value
and increase consumer attitudes, but via a co-branded product in which two firms feature both corporate brands in the alliance".
|
Zamudio, C. 2016. "Matching with the
stars: How brand personality determines celebrity endorsement contract
formation" International Journal
of Research in Marketing 33, Elsevier: 409-427.
|
Point 11: "The consumer-focused stream investigates
consumers' response to stimuli featuring real or fictitious celebrity endorsements (e.g., Forehand & Perkins, 2005).
Focus is on congruence: contracts between firms and celebrities similar
along a specific dimension should induce positive consumer
response, as compared to an incongruent contract where celebrity and firm are dissimilar (Kamins, 1990). Dimensions include perceived
attractiveness (Bower & Landreth, 2001; Kahle & Homer, 1985),
personalities (Misra & Beatty, 1990), expertise (Till & Busler, 2000;
Till, Stanley, & Priluck, 2008), credibility (Lafferty & Goldsmith,
1999), ethnicity (Ryu, Park, & Feick, 2006) and the information provided
by the celebrity and the brand".
|
Zamudio, C. 2016. "Matching with the
stars: How brand personality determines celebrity endorsement contract
formation" International Journal
of Research in Marketing 33, Elsevier: 409-427.
|
Point 12: "The use of celebrities for product
promotion is a popular advertising strategy (Choi & Rifon, 2012), which
is used more frequently in Eastern than in Western countries. In Korea, for
example, 75% of advertising depends on celebrity endorsement (Um & Lee,
2015). However, it has not been established that using a celebrity as a
strategy in all marketing endeavors is always effective in Korea".
|
Kim, H.C. and J.Y. Jeong. 2016.
"Effect of celebrity endorsement in marketing of musicals: poster versus
social networking site" Social
Behavior and Personality 44(8), Scientific Journal Publishers Ltd.:
1243-1254.
|
Point 13: "The congruence between the
celebrity image and ideal self-image of consumers, that is, the congruence
between a consumer’s perception of a celebrity’s personality characteristics
and the consumer’s self-image, enhances the endorsement effect and influences
the consumer’s purchase decisions".
|
Kim, H.C. and J.Y. Jeong. 2016.
"Effect of celebrity endorsement in marketing of musicals: poster versus
social networking site" Social
Behavior and Personality 44(8), Scientific Journal Publishers Ltd.:
1243-1254.
|
Point 14: "Choi, Lee, and Kim (2005)
suggested that the reason for the higher frequency of celebrity appearances
in Korean advertising compared to Western countries, may be that Korean
consumers are more likely to conform to group norms. Thus, in Korea,
marketers in industries—including musicals—use celebrity endorsement as a
promotional strategy".
|
Kim, H.C. and J.Y. Jeong. 2016.
"Effect of celebrity endorsement in marketing of musicals: poster versus
social networking site" Social
Behavior and Personality 44(8), Scientific Journal Publishers Ltd.:
1243-1254.
|
Point 15: "Holt (2004) .... refers to the iconic
status of a select few celebrities and brands that mobilize myths and resolve
cultural contradictions. Alexander (2010), in contrast, emphasizes the religious
connotations that are invoked in discourse around iconic celebrities, such as
Audrey Hepburn. For Alexander (2010), celebrants’ accounts of their engagement with celebrity (visiting Elvis Presley’s former home, Graceland; shaking President Barack Obama’s hand; modelling Hepburn’s Little Black Dress (the
notorious LBD) at Tiffany’s) can be understood as an introjection
process in which “the celebrity-icon actually becomes part of
their internal self” ...".
|
Hackley, C. and R.A. Hackley. 2016.
"The iconicity of celebrity and the spiritual impulse" Consumption markets & culture
19(3), Routledge: 269-274.
|
Point 16: "The frequent use of
religious metaphors such as “worship”, “icon”, “adore” and “divine” in connection with celebrity
seems telling. In the Christian Bible, Jesus Christ declares his iconicity,
saying that “Anyone who has seen me has seen the Father” (John 14:9). Christ is the image of a human creature, but also the
likeness of God. Religious iconography reflects a Christological
ontology (Baker 2011), counter to Enlightenment notions of individuality and
identity. Identity is given in likeness to God, not constructed by material
forces".
|
Hackley, C. and R.A. Hackley. 2016.
"The iconicity of celebrity and the spiritual impulse" Consumption markets & culture
19(3), Routledge: 269-274.
|
Point 17: "In the last few years, shifts have been
noted in the creation and maintenance of celebrity status and the parameters
of stardom. The increasing popularity of online social media sites,
especially Twitter, with celebrities, their fans and other types of users has
led to new explorations of the management of online fame and modes of
celebrity, and reinvigorated debates around authenticity and the presentation
of the self. The convergence, connection and potential for interactive
address between star and audience that Twitter enables has reconstructed
stardom in this twenty-first-century multimedia, multi-platform context as something
apparently new".
|
Thomas, S. 2014. "Celebrity in the
'Twitterverse': history, authenticity and the multiplicity of stardom
Situating the 'newness' of Twitter" Celebrity
Studies 5(3): 242-255.
|
Point 18: "Because of its position as
one point of convergence between old and new media and producers and
consumers (Jenkins 2006), the new capabilities of Twitter, particularly the
potential for user agency in creating online content, has been emphasised in
the current writing on celebrities’ use of Twitter".
|
Thomas, S. 2014. "Celebrity in the
'Twitterverse': history, authenticity and the multiplicity of stardom
Situating the 'newness' of Twitter" Celebrity
Studies 5(3): 242-255.
|
With a
set of main points collected, the writer produces a set of cognitive map
variables. These variables are informed by the set of main points from Table 1.
These variables are presented in Table 2.
Table 2:
Cognitive map variables based on Table 1
Cognitive
map variables
|
Literature
review points
|
Variable 1: Drivers of interest in celebrity
endorsement
|
Point 1: "Today, consumers are constantly
inundated with images of celebrities; not only are celebrities endorsing a
multitude of consumer products but they are also found gracing the covers of
gossip and fashion magazines. These mass media images can aide in the
familiarisation with a celebrity. Celebrities have a unique position in the
advertising landscape due to the irrespective careers, as well as from the
constant media attention many receive".
Point 17: "In the last few years, shifts have been
noted in the creation and maintenance of celebrity status and the parameters
of stardom. The increasing popularity of online social media sites,
especially Twitter, with celebrities, their fans and other types of users has
led to new explorations of the management of online fame and modes of
celebrity, and reinvigorated debates around authenticity and the presentation
of the self. The convergence, connection and potential for interactive
address between star and audience that Twitter enables has reconstructed
stardom in this twenty-first-century multimedia, multi-platform context as something
apparently new".
|
Variable 2: Improve intellectual
understanding of celebrity endorsement
|
Point
2: "A celebrity endorser is someone who enjoys public recognition and
who uses that recognition on behalf of a consumer good by appearing with it
in an advertisement (McCracken,1989). When celebrities are hired to endorse
brands, they are able to draw more attention to the advertisements, break
through the clutter of competing brands and can exert greater influence on consumers’ attitudes and purchase
intentions".
Point 4: "Celebrities
usually experience fame for a relatively short period of time, and their
success can be measured in terms of financial compensation, primarily from
appearance fees and endorsements. A wide range of genetic and developmental
variables probably influences the career choice and career success of
celebrities".
Point 6: "Celebrities' profiles are at the top of the list of the most-followed pages on
Instagram, frequently used to deliver marketing communication messages to
their followers. Recently, one celebrity's profile with the highest number of followers, reached 92 million
(Instagram, 2016). Consumers perceive individuals with a large number of
subscribers as more attractive and trustworthy, this is in line with Source
Credibility Theory and relates to electronic word of mouth (eWOM) (Jin & Phua, 2014). Source credibility refers to the consumer perception of
the information source based on attractiveness, trustworthiness and knowledge
in the area of the endorsed product (Ohanian, 1990). EWOM refers to any
product information communicated by potential consumers via the
Internet".
Point 8: "Celebrities appeal to a
common reference group. ‘Reference group’ is defined as a person/group of people who serve
as a reference to an individual in forming values and attitudes, and in so doing
provide consumers with a reference in their purchasing decisions (Schiffman,
Hansen, & Kanuk, 2012). This can also include celebrities
or Instagram profiles belonging to non-traditional
celebrities who could be considered famous online or ‘Instafamous’ (Scott, 2015). These individuals are known
to the public and their identification is based upon elements
such as admiration, association, aspiration or recognition".
Point 10: "A celebrity endorsement
contract is a partnership between a human brand (Thomson, 2006) and a
corporate brand to communicate the merits of the corporate brand or its
products and foster positive consumer attitudes (Kamins, 1990). Similarly, a
brand alliance (Rao, Lu, & Ruekert, 1999) also aims to communicate value
and increase consumer attitudes, but via a co-branded product in which two firms feature both corporate brands in the alliance".
Point 11: "The consumer-focused stream investigates
consumers' response to stimuli featuring real or fictitious celebrity endorsements (e.g., Forehand & Perkins, 2005).
Focus is on congruence: contracts between firms and celebrities similar
along a specific dimension should induce positive consumer
response, as compared to an incongruent contract where celebrity and firm are dissimilar (Kamins, 1990). Dimensions include perceived
attractiveness (Bower & Landreth, 2001; Kahle & Homer, 1985),
personalities (Misra & Beatty, 1990), expertise (Till & Busler, 2000;
Till, Stanley, & Priluck, 2008), credibility (Lafferty & Goldsmith,
1999), ethnicity (Ryu, Park, & Feick, 2006) and the information provided
by the celebrity and the brand".
Point 15: "Holt (2004) .... refers to the iconic
status of a select few celebrities and brands that mobilize myths and resolve
cultural contradictions. Alexander (2010), in contrast, emphasizes the religious
connotations that are invoked in discourse around iconic celebrities, such as
Audrey Hepburn. For Alexander (2010), celebrants’ accounts of their engagement with celebrity (visiting Elvis Presley’s former home, Graceland; shaking President Barack Obama’s hand; modelling Hepburn’s Little Black Dress (the
notorious LBD) at Tiffany’s) can be understood as an introjection
process in which “the celebrity-icon actually becomes part of
their internal self”..... ".
Point 16: "The frequent use of
religious metaphors such as “worship”, “icon”, “adore” and “divine” in connection with celebrity
seems telling. In the Christian Bible, Jesus Christ declares his iconicity,
saying that “Anyone who has seen me has seen the Father” (John 14:9). Christ is the image of a human creature, but also the
likeness of God. Religious iconography reflects a Christological
ontology (Baker 2011), counter to Enlightenment notions of individuality and
identity. Identity is given in likeness to God, not constructed by material
forces".
|
Variable 3: Effective celebrity
endorsement practices
|
Point
3: "Celebrities enjoy nationwide or
worldwide popularity, and this allows them to wield power in a variety of
spheres. Celebrities serve as role models, implicitly offering personal
fulfillment to those who imitate them (Fowles, 1992; Gamson, 1992). Their names
and images are used to market a variety of products and services, and their
influence extends to business, politics, culture, and social movements".
Point 5: "The body shape of endorsers
is an important factor determining attitudes toward the brand in question
(D’Alessandro & Chitty, 2011). Thus, the major criteria for selecting a
celebrity endorser are credibility, familiarity, likeability, and gender
(Knott & St. James, 2004). The effectiveness of celebrity endorsers is
moderated by attractiveness, credibility, and several other factors (Erdogan,
1999), and attractiveness and credibility are associated with facial WHR [width-to-height
ratio ]".
Point 9: ".... when negotiating endorsement contracts, firms risk being rejected by their preferred celebrity. The cost of such
rejection is critical, as firms' marketing strategies may crucially
depend on successfully hiring a specific celebrity, and being unable
to do so may imply substantial additional time and monetary investment in
redefining such strategies and initiating efforts
to hire other celebrities (Miciak & Shanklin, 1994). Thus, industry
experts suggest firms to offer celebrities gifts or company
equity (Aarts, 2013), and advise celebrities to become more popular and to
amass a large social media following to be attractive for potential
endorsers".
Point 13: "The congruence between the
celebrity image and ideal self-image of consumers, that is, the congruence
between a consumer’s perception of a celebrity’s personality characteristics
and the consumer’s self-image, enhances the endorsement effect and influences
the consumer’s purchase decisions".
Point 18: "Because of its position as
one point of convergence between old and new media and producers and
consumers (Jenkins 2006), the new capabilities of Twitter, particularly the
potential for user agency in creating online content, has been emphasised in
the current writing on celebrities’ use of Twitter".
|
Variable 4: Learn from celebrity
endorsement practices
|
Point 7: "The impact of celebrity
enforcements as marketing communication tools has been extensively researched
previously, however there is a lack of academic research on the credibility
of different types of celebrities within social networks (Jin & Phua, 2014; Spry et al., 2011). This is particularly the case for
Instagram which is experiencing rapid growth and could, potentially, be of great
importance to the marketer".
Point 12: "The use of celebrities for product
promotion is a popular advertising strategy (Choi & Rifon, 2012), which
is used more frequently in Eastern than in Western countries. In Korea, for
example, 75% of advertising depends on celebrity endorsement (Um & Lee,
2015). However, it has not been established that using a celebrity as a
strategy in all marketing endeavors is always effective in Korea".
Point 14: "Choi, Lee, and Kim (2005)
suggested that the reason for the higher frequency of celebrity appearances
in Korean advertising compared to Western countries, may be that Korean
consumers are more likely to conform to group norms. Thus, in Korea,
marketers in industries—including musicals—use celebrity endorsement as a
promotional strategy".
|
The next
step is to relate the cognitive map variables to make up a cognitive map on celebrity
endorsement. The cognitive map and its explanation are presented in the next
section.
A cognitive map on celebrity endorsement
and its interpretation
By
relating the four variables identified in Table 2, the writer comes up with a
cognitive map on celebrity endorsement, as shown in Figure 1.
These
cognitive map variables, four of them
altogether, are related to constitute a systemic image of celebrity endorsement.
The links in the cognitive map (re: Figure 1) indicate direction of influences
between variables. The + sign shows that an increase in one variable leads to
an increase in another variable while a -ve sign tells us that in increase in
one variable leads to a decrease in another variable. If there no signs shown on the arrows, that
means the influences can be positive or negative. For further information on celebrity
endorsement, readers are referred to the Literature
on luxury brands and celebrity studies Facebook page.
Concluding remarks
The
cognitive mapping exercise captures in one diagram some of the main variables
involved in celebrity endorsement. The resultant cognitive map promotes an
exploratory way to study celebrity endorsement in a holistic tone. The
experience of the cognitive mapping exercise is that it can be a quick,
efficient and entertaining way to explore a complex topic such as celebrity
endorsement in Marketing. Finally, readers who are interested in cognitive
mapping should also find the article informative on this mapping topic.
Bibliography
1.
Djafarova,
E. and C. Rushworth. 2017. "Exploring the credibility of online
celebrities' Instagram profiles in
influencing the purchase decisions of young female users" Computers in Human Behaviour 68,
Elsevier: 1-7.
2.
Eden, C. and P.
Simpson. 1989. "SODA and cognitive mapping in practice", pp. 43-70,
in Rosenhead, J. (editor) Rational
Analysis for a Problematic World, Wiley, Chichester.
3.
Eden, C., C. Jones
and D. Sims. 1983. Messing about in
Problems: An informal structured approach to their identification and
management, Pergamon Press, Oxford.
4. Hackley, C. and R.A. Hackley. 2016. "The iconicity of celebrity
and the spiritual impulse" Consumption
markets & culture 19(3), Routledge: 269-274.
5. Huh, H.R., D.S.
Yi and H.Y. Zhu. 2014. "Facial width-to-height ratio and celebrity
endorsements" Personality and
Individual Differences 58, Elsevier: 43-47.
6.
Kim,
H.C. and J.Y. Jeong. 2016. "Effect of celebrity endorsement in marketing of
musicals: poster versus social networking site" Social Behavior and Personality 44(8), Scientific Journal Publishers
Ltd.: 1243-1254.
7.
Literature on cognitive mapping Facebook page, maintained by Joseph, K.K. Ho (url address:
https://www.facebook.com/Literature-on-cognitive-mapping-800894476751355/).
8. Literature on
literature review Facebook page, maintained by Joseph, K.K. Ho (url address: https://www.facebook.com/literature.literaturereview/).
9. Literature on luxury
brands and celebrity studies Facebook page, maintained by Joseph, K.K. Ho (url address: https://www.facebook.com/Literature-on-luxury-brands-and-celebrity-studies-1665293927038604/).
10. Managerial intellectual learning
Facebook page, maintained by Joseph, K.K. Ho (url address:
https://www.facebook.com/managerial.intellectual.learning/).
11. McComick, K. 2016. "Celebrity endorsements : Influence of a
product-endorser match on Millennials attitudes and purchase intentions" Journal of Retailing and Consumer Services
32, Elsevier: 39-45.
12. Open University. n.d. "Sign graph" Systems Thinking and Practice (T552): Diagramming, Open University,
U.K. (url address: http://systems.open.ac.uk/materials/T552/) [visited at April
10, 2017].
13. Thomas, S. 2014. "Celebrity in the 'Twitterverse':
history, authenticity and the multiplicity of stardom Situating the 'newness' of
Twitter" Celebrity Studies 5(3):
242-255.
14. Zamudio, C. 2016. "Matching with the stars: How
brand personality determines celebrity endorsement contract formation" International Journal of Research in
Marketing 33, Elsevier: 409-427.
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